kryztella
even mermaids drown
?
kryztella
rouza. twenty-three. british. intersectional feminist. mermaid. witch and crystal enthusiast. artist and photographer. capricorn. realist.

wvterways:

i will no longer be embarrassed i will no longer be a victim of insecurity i will no longer plague my mind with worries i exist i am allowed to exist i am allowed to take up space i will not let others dictate my experience i will live i will live i will live

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2021 Review

I was almost dead certain I had posted these statistics a year ago, for 2021… alas, I’ll post them now

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i AM THE BLUR OF DESTINATIONS BETWEEN TWO POINTS ON A MAP

answering the question: where am i?

  • the action of mindless monotony
  • complete contrasts, including the map of my mind (black and whites, sharp and soft)
  • constructed concept moving piece - using a right angle gear so that when the handle is turned, the train moves around the points

i’m the high on a friday night

i’m the liquor of delight

when it’s not enough

and bottles multiply

this is not my cry - 

this is their cry

this is the bite,

not enough to be polite,

i am chased,

out of sight

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self made photobooth

i know what it’s like to be watched from eerie shadows, to almost die in vain - scissors to my heart and my head inside a flame

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POCKET YOUR WORRY

Art exhibition - Greater Brighton Metropolitan College

Saturday night, just poured maybe my fifth drink. Not unusual, except for the fact it might of been more in previous years. I don’t think that’s really such an issue, anymore.

Halsey’s on my spotify, again. It’s been like this for nearly two weeks. Their entire discography, actually. I seemed to find the correlation between the timeline of events in my life with her albums and when they were released. I know I related at the time, of each, but even so looking back I can visualise everything happening according to the tracks. The lyrics themselves have always spoken true to my own experiences at the present moment.

I found myself creating and fully picturing my life with the soundtrack, like a bad musical, partly performing and showing visuals of possible recreations. This started while I was at work with my headphones in as I edited the garments we had shot.

Then I went home, poured a drink, and reorganised the songs slightly according to my own exact timeline. I performed.

Mostly in my head.

Every single song.


Now each track throws me right back to what I imagine in my head, the personal events.

I fear that my ridiculous reality disappoints my dreams.


I long for my slumbers, and my state asleep. My dreams know me better than my lovers. I can only control so much awake, but it’s left to my brain to connect the dots in my own distant fantasies - I enjoy that more. I am obsessed with sleep.


Awake, I live my life in a constant slideshow or what has been, and what could be. I live through my past profusely. I recount every step in this exhausting journey. Every trauma locked away in my rusty cabinet.

I believe in that self to be somebody eventually.

I feel I am a star locked inside my own vision of a nightmare. Maybe I was in the past. I feel I should be, but not in this body.

But I live as though I am, in my mind.


Am I unhappy and less satisfied with my life because it ultimately is not what I picture every second I breathe in the world we consider real?


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“ninety eight percent uncertain”

where has the day gone?

ALBUM WRAP UP

JULY 2021

my glitter jacket shed, and with collecting the pieces I created a mood

serendipity 

[ ser-uhn-dip-i-tee ] noun

the occurrence and development of events by chance in a happy or beneficial way.

london shadows, shot on film ‘19

09 07 21

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